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Young at Art has been alarming accouchement in Northern Ireland and about the apple for 20 years. Administrator Eibhlin de Barra tells Jane Coyle about this year’s affair of family



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Young at Art was aboriginal launched in Belfast in 1998, the aforementioned year as the Good Friday Agreement, a watershed for amusing and political change and new cultural realities in Northern Ireland.

This year marks its 20th birthday. From bashful ancestry it has broadcast to become Northern Ireland’s arch arts ability for children, teenagers, parents and teachers.

As a amusing action agency, it delivers a year-round assurance programme, encompassing aesthetic writing, the beheld arts, educational workshops, aesthetic showcases, able training and all-embracing accessible spectaculars.



Its flagship accident is the Belfast Children’s Festival, an all-embracing arts and ability accident for adolescent people, which, in agreement of footfall, is the bigger in Ireland and one of the bigger in the UK. Its 2018 programme incorporates 170 contest in  18 venues beyond the burghal over the advance of six days.

“The affair this year is ancestors and the assorted forms a modern-day ancestors can take,” says administrator Eibhlin de Barra, who took up the column in 2016, accepting formed as Adolescent at Art’s programme administrator back 2012. “Many contest ask important questions about the axial theme,” she adds.

Cahoots NI’s Penguins considers same-sex relationships through the adulation amid two macho penguins who continued for a child. Horses, by Belgian aggregation Kabinet K, explores  the angle of ancestors as a community, while Amadan’s Pink  and Blue is a gender exploration. Then, Getting Dressed by Second Hand Ball looks at how bodies accede to how others dress.

De Barra says: “I don’t anticipate of a affair and again attending about for assignment to fit in it. The affair emerges from the work, all of which is hand-picked. In the accomplished month, I’ve been in South Korea, Germany and Galway seeing assignment that may acquisition its way actuality in 2020.”

Nicola Curry, architect and aesthetic administrator of Maiden Voyage Dance, was a affiliate of the organisation’s aboriginal baby authoritative team. She says the antecedent abstraction for a appointed anniversary was prompted by a gap in arts provision.

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English bookish Anna Cutler approached the Belfast Anniversary at Queen’s (now the Belfast All-embracing Arts Festival) anon afterwards affective to the burghal and asked why it had no contest for adolescent audiences. She developed a programme and a acknowledged Arts Council of Northern Ireland action application, which accurate the aboriginal Adolescent at Art anniversary in October 1998.

“From the alpha it auspiciously affiliated accomplished all-embracing assignment with opportunities for bounded artists to advance assignment for adolescent audiences. Belief in their aesthetic abeyant provided the agitator for adventurous and fundamentally abounding risks,” says Curry, abacus that it helped her barrage a aggregation herself. “Establishing a abreast ball aggregation in Belfast  aback didn’t assume all that impossible.”

Young at Art’s longest-serving administrator Ali Fitzgibbon was in the column for about 13 years. She was initially the alone abiding agents affiliate and recalls that the capital assignment during her aboriginal years was “to focus the organisation’s appetite and activity and try to get basal abutment to bout that action and passion”.

She continues: “I capital to see the accomplished area advance and grow. A ascent advance floats all boats. If throughout the year we can collectively accomplish more, and better, and artists can not alone sustain themselves but accept the dreams and opportunities to actualize on a apple scale, we will accept a affluent cultural ability for years to come.”

No distinct aggregation can accomplish that, she says, and so formed with ally including Paul McEneaney at Cahoots NI and Eimear Henry at Replay Productions, “to authorize an anniversary advertise and burn bigger and bigger admission with  networks like Assitej, the All-embracing Association of Theatre for Adolescent People”.

Fitzgibbon says it is adamantine to brainstorm that in the backward 1990s organising able contest and programmes for and with accouchement was a new concept.

“There were some, but not many, artists and organisations alive in that way. Now there’s bigger provision, added artists cerebration about and alive with children. But there’s still abundant to be achieved. The organisation continues because there charcoal a charge to advance by archetype and in collaboration, a charge to challenge, brainwash and actuate in according measure,” she says.

“This has never been ‘just’ a festival. From its ancient days, it was complex year annular in architecture knowledge, accommodation and aplomb in adjustment to realise the appetite of creating original, alarming contest and programmes that children, their schools and families appetite to be allotment of. It has played its role in civic, political and educational debates in the burghal about burghal planning and regeneration, children’s rights, tourism, arts provision, admirers development, inclusion, apprenticeship and adolescence policy.”

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Continues…

1. Adolescent at Art’s beat and assurance assignment draws in accouchement from areas of aerial deprivation. In 2017, 31% of the admirers came from some of Northern Ireland’s best socially beggared areas.

2. Ali Fitzgibbon conceived the Baby Rave for the 2005 festival. It now has a growing all-embracing presence.

3. Fighting Words Belfast runs chargeless aesthetic autograph workshops for adolescent bodies age-old six to 18. Its assemblage are writers Glenn Patterson, Roddy Doyle, Nick Hornby, Dave Eggers, Lucy Caldwell and Paul Muldoon.

4. All Adolescent at Art’s admiral accept been women: Anna Cutler (1997/8-2002); Rebecca Hunter (2002-2003); Ophelia Byrne (2003); Ali Fitzgibbon (2004-2016); Eibhlin de Barra 2016 to present.

5. Last year, over the advance of the six-day festival, Eibhlin de Barra absolved 36,534 accomplish accoutrement a ambit of 27.8km amid venues.

A cardinal of arch Northern Irish creatives and companies accede the acute role Adolescent at Art has played in their own development. Zoe Seaton is co-founder and aesthetic administrator of Big Telly, one of the region’s longest-established absolute theatre companies.

“Big Telly’s aboriginal affiliation with Adolescent at Art was back we presented The Little Mermaid in a pond basin during the 2005 festival,” she says. “Little did we assumption that it would go on to comedy in Taiwan, Denmark, Belgrade and at festivals all over the UK and Ireland.

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“We were absolute abroad by the alertness of again administrator Fitzgibbon to booty risks and animate aerial appetite and charge to assignment for adolescent audiences.”

It was the aboriginal time the aggregation fabricated assignment for a ancestors audience, as against to projects advised for specific age groups in educational settings, says Seaton. “It alerted us to the appulse and accent of aggregate aesthetic adventures beyond the ancestors and has after underpinned best of Big Telly’s work.”

Belfast-based Cahoots NI is awful admired for bearing theatre aimed at adolescent people. In aboriginal February it opened Penguins at the Birmingham Repertory and Shh! We Accept a Plan is currently on a 14-week bout of the US. Co-founder and aesthetic administrator McEneaney attributes the actuality of the aggregation to Adolescent at Art.

“Cutler commissioned me to actualize article for the 2000 festival. I wrote and performed a appearance alleged Puppet Magic, which was arrive to several all-embracing festivals. Back again the alone way to get accessible allotment was to set up a company. Adolescent at Art was the trigger,” he says.

“The anniversary has developed decidedly over the years but  its appearance and ethics abide the same. It gives accouchement in Northern Ireland the befalling to acquaintance world-class achievement on their doorstep by bringing in internationally admired artists to affect and burn their imaginations.”

It is a aesthetics the accepted director, De Barra, shares and wants to body on. “My aim is to put Belfast on the all-around map and accomplish it a approved anniversary for assembly from beyond the world,” she says. “I additionally appetite it to accommodate a belvedere for arising bounded artists to try out new assignment at an aboriginal stage, putting it in advanced of all-embracing producers, theatremakers and dance-makers.

“All children’s lives are accomplished by the arts. It’s apparent that our anniversary gives accouchement in Northern Ireland their aboriginal acquaintance of alive performance. We booty our role in advancement the rights of adolescent bodies to accept admission to the arts actual actively and, in the process, authoritative the apple a bigger and added amazing abode for them.”

Director: Eibhlin de BarraNumber of events: Added than 170 beyond 18 venues (including capital programme, schools performances and industry programme)Audience figures: Projected 30,000 over the six canicule ofBelfast Children’s FestivalNumber of employees: Three full-time and seven, part-time, additional two internsTurnover: Approximately £425,000 (Young at Art), of which £172,000 is amount costs and £170,000 the Belfast Children’s FestivalFunding levels: Amount adjourned by Arts Council of Northern Ireland (£166,500, of which £112,300 is exchequer/core and £54,200 lottery/programming); Aesthetic Adolescent programme receives £43,500 from BBC Accouchement in Need’s capital admission scheme. Full account of funders, sponsors and supporters on: youngatart.co.ukKey contact: Eibhlin de Barra

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Belfast Children’s Anniversary runs from March 9-March 14

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